Archive for Michael Moore

The Academy and Taxi to the Dark Side

Posted in Uncategorized with tags , , on January 8, 2010 by babydylan

 

In 2003 Michael Moore won a Best Documentary Academy Award for Bowling for Columbine, a year and a half after September 11 and the invasion of Afghanistan and no less than a month before George Bush’s first proposed assault on Iraq. The public at that time were being kept in the dark, trusting their president and being lead to believe in the shaky link between the September 11 attacks and the upcoming invasion of Iraq.

Michael Moore wasn’t being kept in the dark, after a standing ovation and accepting his award, he preceded to rant about being living in “fictitious times, where a fictitious president can win a fictitious election” and that they were all “against this war“ and that George Bush should be ashamed. The initial cheers rapidly turned to boos as most of the crowd tried to drown him out, and as the music came on he left the stage saying “if the Pope and the Dixie Chicks are against you then your time is up Mr Bush”.

In 2008 Alex Gibney won the Best Documentary Academy Award for Taxi to the Dark Side, a film about a taxi driver from Afghanistan who was arrested on suspicion of being involved in terrorism, sent to Bagram Prison, and tortured until he died, five days later. The crux of the picture is about prisoner abuse at Bagram, Abu Ghraib, and Guantanamo, and the policies behind the treatment of prisoners. To the solders involved, there were no clear laws as to what they were and were not allowed to do, their instructions involved ‘getting results’ and to the officials in charge the Geneva Convention was ignored, with the abuse apparently justifiable if it results in information, but only if the information is of equal value to the brutality of the abuse being delivered, but only if the tactics are approved by an official, an official who has to first see the information delivered, information which can only come after endless torture…. Etc Etc and so on and so forth. Basically, the officials speak in circles, blame is deflected from one to the other, with no one taking responsibility until it becomes clear (from the interviews gathered) that the torture may in fact be encouraged by those in charge. The film ends with Bush finally signing a declaration that states that the U.S. Military have to abide by a section of the Geneva Convention which guarantees safe treatment of prisoners, yet hidden in that same declaration is a safe passage for Bush and other politicians. All of them are immune from being tried for war crimes.

What happened in the five years between when Michael Moore was boo’d off stage for criticising Bush, to when Taxi to the Dark Side actually won the Oscar for best documentary? How is it that a film can win approval by the Academy when it is so scathing, so critical, so honest, so judgemental, so shocking and so hateful of Bush, when five years before no one on the same stage could be speak badly of the man?

Obviously in that five years his approval rating has plummeted, but its remarkable how much has been released that concerns Bush and the conflict. Feature Films such as Redacted, W, In the Valley of Elah, Rendition, Stop-Loss, and The Hurt Locker. Documentary’s such as The Road to Guantanamo, The President vs David Hicks, The Soundtrack to War and Fahrenheit 9/11 (which coincidently is Americas highest grossing Documentary). Television shows such as Generation Kill (based upon a book by the same name) and a comic book called The Pride of Baghdad.

Its going to be interesting to learn about previous war based films, and what is similar or different about this conflict and the way it has transposed into cinema. The profoundly negative opinion on this war will be a new and interesting factor.